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so confusing i have been trying to achieve this result the whole day i couldn't, and i went home and tried to put in place the same setup on 3d software to mimic the idea but i really got more frustrated, could you please tell me where is the fine line between hard and soft light in the scene?

Never seen anyone work with light the way you do. It really is like watching magic happen.

Really helpful

Thank you

Why do I need it> This is not a product photo ( by this we mean the products we sell). It is simply a generated photo. If I could add my product and change its backgrounds, angles or the whole composition. Yes, that would be generating a PRODUCT PHOTO.

so cool Martin 😎

Great transformation sir.

Really cool shot its good when things happen by accident in photography it gives a different perspective nice work my friend.

Wonderful ty!

Nice job Martin, looks very realistic, very cool my friend😎

Thanks you Martin. I would to know by what type of photo begin? Something very simple without any water (because of living room) and with not big props (to not occupy many of space). Do you have any idea which type of basic photo with very nice "product photography effect"?

very cool, but...the bombay bottle really doesnt look natural. look at the lights: on the other bottles, it is a hard light. on your bottle is a very soft light. look how the other bottles shine, their highlights. the generated image looks like a shot without soft lightning. i think you understand :)

The est-timorais u

"What would I like to see?" I photograph older and rare chandeliers, ceiling lamps, wall lamps and table lamps for an online shop in 6 different views. Often they are larger and shiny lamps. My difficulty is finding a compromise between time expenditure and requirements. These are: 1 isolated photo when switched on, 2 further views with, 1 without light in front of a background onto which the light falls, and 2 detailed photos. Unfortunately, there is no one online who photographs larger things of this kind. The stated aim is to show the special nature of the design, to show the material and the scattering of light. Ideally, everything should not be too objective but emotional. I have to photograph around 1000 lamps in a short space of time, so I have to make compromises. Can you please photograph a really expensive lamp (e.g. with crystal glass) with 6 photos? That would certainly be a big but great challenge.

very nice

Hello from Italy Martin.. :-)

Hi Martin, great video, as always! Would love to see a beer pouring shot.

Good evening )

Great idea. I got beer images on production, a kind of beer-in-disguise silicon cases. Gonna make some splashes for the last image on that series with no regrets. I prefer coffee.😂

We want to see the post production of this shot please

Great vid as usual, Martin! 🙂.. used to really enjoy some of your more complex setups back in the day .. and trying to work out how the light was bouncing around (generally unsuccessfully! 😁) .. and the choice of palette colors ..

Big version of the final photo: botvidsson.se

The water dripping from the bottles is what makes this shot.. it's easy to take the sprays and adjust their position and shape in Photoshop, but getting the water to cascade down the bottles the way the final image demonstrates would be very difficult to accomplish in Photoshop. Bra gjort!

Hi ,Martin, thanks for the great video. may i have your studio add again, i will definitely send some coffees tomorrow , you haven't shoot the coffee bags lol

what is the focal length of the projection lens please?

Thank you Martin for this golden tip! You have unlocked my super powers.

3:02 are the instructions for the diffusion frame still available? I don't see anywhere to buy you a coffee on your website anymore :)

Hello! How do you hold the glasses still in that position? Thanks!

how much of a difference would the bare bulb look like if you added black wrap to the end of the snoot, to make the opening even smaller? It should be more comparable to the projection light, right?

Informative, thanks!!

7:50 helped me so much. I was bumping up exposure on the camera to eliminate the grey background, but my white products were starting to wash out. Made me realise my lighting approach was wrong. Excited to try this out over the weekend. Thank you.

I could watch this all day! Truly amazing!

Karol looks like a cast from Vikings

how to beauty dish mount on wall?

Can you suggest me which camera and lens you use for jewellery videography ?

Great video as always! I use Stylar because their AI just seems smoother. You should check it out!

@botvidsson hi Martin, thank you for the video, I would like to get strip box, there are two alternative sizes for me, 12x36 ( 30cm x 90 cm ) and 12x56 ( 30 cm x 140 cm) , for food photography, for bottle etc what size do you recommend for that ? 30cm x 90 xm is enough ? or should i buy 30 cm x 140 cm ? thank you

If i am not mistaken ... The t-01 speed is related to the flash power right ? The lower the power the faster the t-01 ?

so awesome as always

Hey bro, as far as you know , there isn't a way to upload a product photo into whichever platform and generate background? I tried uploading my brand's product photo into MJ ,but when I churn out a bg , it mutated my product photo into completely something else 😅😅😅

Hej, var får du tag i de stora pappers ark som den du har som bakgrund?? mvh

Cool as always!

This is great!

Hello! im still life and still photography ))) nice to see u man!!!!

I love your tutorials and how they can be used for other subjects. I’m currently trying to shoot lifestyle photos of watches with a sunlight effect, would you have any pointers on how to do it differently compared to this? The reflective nature of watches can really be a pain sometimes.

Great video. Would love to see more videos about composition